EXHIBITIONS | SYMPOSIA | EVENTS as Artistic Director | Curator
2025
New Exhibition

About this entry

2024
CICADALOLOGY ’24, STL

ROLE: Artistic Director of field school with interspecies linguistic Eco-philosopher musician David Rothenberg & poet Edwin Torres.

LOCATION: Day-1: OUTSIDE field school in Springfield, IL with small group of interspecies poets, filmmakers, musicians, landscape artists
Day-2: INSIDE live-performance @ CINLAND w/ BBC/Radio & Montreal eco-documentary filmmakers.

2023
THOUGH THE EARTH SHOULD CHANGE

ROLE: Co-Director, Co-moderator, curator.

LOCATION: Kuehner Court Weil Hall, Wash U.

2022
WHAT’S OUT THERE

ROLE: Lead Advisory council for city-wide public resource featuring significant landscapes in St Louis; included nominating & brokering summer landscape  research interns (writing based on field research).

PARTNER: The Cultural Landscape Foundation (TCLF), Washington D.C.

2020
PLAYSHOP: THE WHAT STICKS

ROLE: Design & co-direct afternoon computation & social engagement playshop with all Freshman Architecture undergraduate students and five faculty (~70 people total) ending  as a 3-week outdoor campus intervention (80’x16’x16’ painted stick pavilion).

LOCATION: Wash U, Danforth Campus.

2019
WHAT DO YOU SEE?

ROLE: Directed 2-day walkshop with landscape architect Günther Vogt, including managing student Design/build of a toolshed as indoor field station installed for 1-month toolshed intervention installed in Givens Hall bottom stairwell, Wash U.

LOCATION: Day 1: three walks across sacred & profane landscapes in the St Louis region. Day 2: curate  field station with students in ½ day participant dialogue, followed by college-wide lecture in the college lecture series.

FUNDED by: ANOVA site furnishings.

BUDGET: $5,000US.

2018
DRUM CIRCLE

LOCATION: Kunstaelle, Berlin.

MODE: art exhibition.

TITLE: The Quest for Meaning Bauru.

CONTRIBUTION: video; co-author Fabian Knecht.

CURATOR: Ellen Blumenstein.

2018
COMPETITION FOR DESIGN LABOR

ROLE: Framed, directed, managed a 48-hour landscape design $ award competition featuring all the Master of Landscape Architecture Students, coordinating between  facilities, funder, local labor historians, faculty, staff, and students.

LOCATION: Wash U, Landscape Dept. Steinberg Gallery, Wash U, STL.

BUDGET: $5,000US.

2018
MORE THAN A SALAD

ROLE: Co-Artistic Director for the final public walk & social engagement.

LOCATION: Nicosia, Cyprus.

BUDGET: ~$35,000US

2017
SPACEBUSTER & PPP

ROLE: Roles included organizing and moderating public discussion, coordinating social engagement activity for 1-day architecture intervention with large inflatable & professional choreographer.

COLLABORATOR & inflatable author: RAUMLABOR.

LOCATION: Wash U, Lewis Center. PPP (Public Policy Perception) with Jesse Vogler.

2016
DESIGN SHOW 2016

ROLE: Curator.

BUDGET: $100,000.

LOCATION: Chicago, IL, 108 North State Street, Block 37.

2016
RADICAL IMAGINATION COMMUNITY

ROLE: Artistic Director for half-day event, following 2-week school.

LOCATION: Thessaloniki, Greece.

BUDGET: ~$35,000US.

2015
DARK MATTERS

ROLE: Artistic Director.

LOCATION: Reykjavik, Iceland; Haskolabio theater.

BUDGET: ~$40,000US.

2014
WALK IN PROGRESS

ROLE: Co-Choreographed exhibition project & public walk with the Institute for Spatial Experiments and included 24-artist participants.

LOCATION: Guangzhou, China.  

PARTNERS: VITAMIN CREATIVE SPACE & Institute for Spatial Experiments.

2013
ARCHIVES WORKS MARATHON

ROLE: Co-choreographed, co-moderated symposium, interventions, speakers, food experiments, walks; with Institute for Spatial Experiments.

LOCATION: Berlin,  Germany.

MODE: 3-Day symposium (NOV 9-11) with 51-participants.

BUDGET: ~$25,500US.

2013
HEARING VOICES

ROLE: Co-directed a 1-week movement & voice laboratory exploring the psychoacoustic phenomena of phantom words.Daily 8-hour seminar included 11-professional dancers &  small production team; 1-night public performance.

LOCATION: Amsterdam, Netherlands: Frascati Theater.

FUNDER: Goethe-institute.

COLLABORATOR: Nicole Beutler Projects.

2013
ACCIDENTAL ACCOMPLISHMENTS

ROLE: Co-choreographed 3-Day exhibition (JUNE 12-14) with Institute for Spatial Experiments.

LOCATION: Berlin, Germany.

BUDGET: ~$25,000US.

2013
PERFORMANCE PRACTICES MARATHON

ROLE: Co-choreographed, co-moderated symposium, interventions, speakers, food experiments, walks; with Institute for Spatial Experiments.

LOCATION: Berlin,  Germany.

MODE: 3-Day symposium (JUNE 12-14) with 31-participants.

BUDGET: ~$25,500US.

2012
Glass Eye (Glasauge)

ROLE: Co-choreographed interventions, food experiments, and participant; with Institute for Spatial Experiments.
LOCATION: Virchowstraße 6, 10249 Berlin,  Germany.
MODE: 3-day exhibition & event with 38-artists in a public park and inside a WWII bunker.  

2012
ADDIS FOTO FEST

ROLE: Co-Choreographed exhibition, public walks, participant; with the Institute for Spatial Experiments.

LOCATION: Addis Ababa, Ethiopia.

PARTNER & HOST: Alle  School of Fine Art and Design, Addis Ababa University.

MODE: The 21-art works.

DIRECTOR: photographer Aida Muluneh &Desta for Africa (DFA).

2012
BIG FIELD – GROßES FELD – JAN MEDA

ROLE: Co-Choreographed exhibition & walks; with the Institute for Spatial Experiments.

LOCATION: Jan Meda, Addis Ababa, Ethiopia.

MODE: 3-day art festival/exhibition included spatial interventions by 31-artists based in Ethiopia, Berlin, and the USA.

PARTNER: Alle School of Fine Art and Design, Addis Ababa University.

2011
DAY BEFORE LIFE-IS-SPACE MARATHON

ROLE: Co-choreographed 1-day of interventions, guests, food experiments, community partner walks; with Institute for Spatial Experiments.

LOCATION: Berlin,  Germany.

MODE: 1-day walk with 15-international participants.

CURATOR: Studio Olafur Eliasson & Institute for Spatial Experiments.

2011
IDEAS ARE MOTION - The Poster as an Experiment in Travel, Part 2: Japan

ROLE: Co-Choreographed exhibition & walks; with the Institute for Spatial Experiments.

LOCATION: Tokyo, Japan; MOT (MUSEUM OF CONTEMPORARY ART, TOYKO).  

MODE: Exhibition collaboration with 23-artists inside a larger exhibition “Berlin 2000-2011: Playing amongst the Ruins”.  

2011
SOUND MARATHON, Part 1

ROLE: Co-choreographed, co-moderated symposium, interventions, speakers, food experiments, walks; with Institute for Spatial Experiments.

LOCATION: Berlin,  Germany.

MODE: 3-Day symposium (NOV 9-11) with 31-international participants including speakers and contributors. Day 1: walking outside school walks and  talks in city with experts Day 2-3: inside school presentations and talks.

BUDGET: ~$17,500US.

2011
DEAS ARE MOTION - The Poster as an Experiment in Travel, Part 3: Reykjavik

ROLE: Co-curated; with Institute for Spatial Experiments.

LOCATION: Reykjavik Art Museum – Hafnarhus; Reykjavik, Iceland. MODE: 3-month exhibition with  27-artists.

CURATOR: Markús Þór Andrésson, “Iceland Without Destination – TRAIL”.  

2011
SOUND MARATHON, Part 2

ROLE: Co-choreographed, co-moderated symposium, interventions, speakers, food experiments, walks; with Institute for Spatial Experiments.

LOCATION: Berlin,  Germany.

MODE: 3-Day symposium (JAN 26-27) with 51-participants.

BUDGET: ~$17,500US.  

2010
SPACE ACTIVISM MARATHON

ROLE: Co-Choreographed exhibition & 1-day walk; with Institute for Spatial Experiments.

LOCATION: Berlin, Germany.

MODE: 3-Day symposium (JUNE 8-10) with  19-participants.

BUDGET: ~$25,000US.

2010
CURATORIAL APPROACH MARATHON

ROLE: Co-choreographed, co-moderated symposium, interventions, speakers, food experiments, walks; with Institute for Spatial Experiments.

LOCATION: Berlin, Germany.

MODE: 3-Day symposium (DEC 8-10) with 23-participants.

BUDGET: ~$25,000US.  

2009
ARTIST MARATHON

ROLE: Co-choreographed, co-moderated symposium, interventions, speakers, food experiments, walks; with Institute for Spatial Experiments.

LOCATION: Berlin,  Germany.

MODE: 3-Day symposium (DEC 8-11) with 35-participants.

BUDGET: ~$25,000US.

2007
ALTERNATIVE ARCHITECTURE LECTURE SERIES

ROLE: Directed a 1.5-year Graham Foundation for Advanced Studies in the Fine Arts institutional grant inherited from displaced faculty. Primary responsibilities included organizing and moderating two lecture series, including 10-out of town architect speakers.
LOCATION: Chicago, IL; Illinois Institute of Technology (IIT).
BUDGET: $12,000.

2006
TALK 20

ROLE: Instigated public student lecture series modeled after Pecha Kucha, set in architecture design schools, blending professional and student speakers. Included hosting and stating TALK 20 lecture series at architecture schools around the USA.

LOCATIONS: Philadelphia, PA; Chicago, IL; Columbus OH.

2005
CROSS CATALYTIC ARCHITECTURES

ROLE: Co-organizer & transcriber.LOCATION: Philadelphia, PA; SLOUGHT FOUNDATION.

MODE: public conversation with scientists, architects & engineers about non-linear modeling.

2004
NON-LINEAR SYSTEMS of ORGANIZATION (NLSO)

ROLE: Graduate Research Assistantship coordinating architecture & pathology faculty at the University of Pennsylvania to prepare for a 3-day national architecture.  science, and mathematics symposium & exhibition.

LOCATION: Philadelphia, PA; University of Pennsylvania.

EXHIBITIONS | BUILT WORKS | EVENTS | WORKSHOPS as Participant
2024
PARRET PAVILION

LOCATION: Triennial Kortrijk, Antwerp, Belgium.

LEAD ARTISTS: Nico Dockx & VOET architecture.

CONTRIBUTION: three original drawings enlarged & repainted on the pavilion ceiling.

2024
PURPLE HOUSE

LOCATION: Griot Museum of Black History, St Louis, MO.

CURATOR: Lois Conley.

CONTRIBUTION: landscape art sculpture as interpretive center.

2023
PONG-PING FOREST

Instigated & directed the design & build of two steel regulation size pong-ping tables.

LOCATION: 407 N 6th St, St. Louis, 63102. Phase 1 of a public art-infrastructure plaza design. Phase 2: estimated summer 2026.

FUNDER: Spinnaker Reality.  

2021
WORLD EXHIBITION

LOCATION: Forum Stadtpark. Graz, Austria. Exhibition contribution (audio reading) from “Operating Manual for Spaceship Earth”, Buckminster Fuller.

INVITATION: Claudia Gerhäusser.

2020
ART LIBRARIES SOCIETY OF NORTH AMERICA WALKSHOP

*Cancelled due to Covid-19. CONTRIBUTION: Walkshop designed for international librarian conference St Louis.

2020
FUTURE NOW FESTIVAL III

*Postponed until Spring 2025 due to Covid-19. Art festival in Berlin, Germany.

2020
FREE SPACE FESTIVAL

LOCATION online; Thessaloniki, Greece. Symposium.

CONTRIBUTION: 20-min video essay & discussion, and panel. Peer-reviewed & published

2019
2019 RULERS

LOCATION: East St Louis, IL. Granite City Art and Design District (GCADD).

MODE: Landscape art exhibition.

CONTRIBUTION: site-specific  installation in solo gallery space; poetry reading participant; public performance lecture – a landscape sermon.

CURATOR: Gavin Kroeber.

2019
SOUND MAPPING WALKSHOP

LOCATION: The New School, NYC. Center for Transformative Media.

CONTRIBUTION: lecture & walkshop to co-construct a geospatial sound score.

INVITATION: Ed Keller.

2019
TOOLSHED & WALKSHOPS

LOCATION: Contemporary Art Museum (CAM), St Louis, MO. May 17 – Aug 18.

EXHIBITION: sole outdoor.

CONTRIBUTION: pavilion sculpture; ear-glasses,  3-Walkshops© (June 7, July 13, July 20).

CURATOR: Wassan Al-Khudhairi.  

2018
THE EARTH IS BLUE LIKE AN ORANGE GREENWAY

LOCATION: Pulitzer Arts Foundation, St Louis, MO.

MODE: Festival.

FESTIVAL TITLE: Dwell in other Futures.

CONTRIBUTION: Designed, directed, and trained 6-Future Park Ranger Ambassadors to conduct an inclusive social engagement park design performance involving sound tools for the future.

CURATORS: Tim Portlock, Rebecca Wanzo, Gavin Kroeber.

2018
JELLING

LOCATION: Marshall House, Reykjavik, Iceland.MODE: restaurant as sculpture; poetry.

CONTRIBUTIONS: 2-day workshop crystalizing as indoor | outdoor poetry performances on sea and on land.

COLLABORATOR: Sjon and the Iceland University of the Arts & Studio Olafur Eliasson kitchen.

CURATOR: Christina Werner.

2017
BIG LUCKY1a,b; GAREN OF HARMONIC DELIGHT2

LOCATION: The Hamburger Bahnhof – Nationalgalerie; Berlin.

EXHIBITION: Festival of Future Nows.CONTRIBUTIONS: sound sculpture1a & small press book 1b; public school  workshop2 with harmonic overtone singer Mirislov Grosser.

CURATOR: Fotini Lazaridou-Hatzigoga, Christina Werner.

2016
ADVENTURE PLAYGROUND

LOCATION: Chicago Architecture Foundation, IL.

EXHIBITION: 50/50/50 (50 Designers, 50 Ideas, 50 Wards).

CONTRIBUTION: two-sided 4’x 3’ architecture board.

CURATOR: Urban Lab.

2015
EXPERIENCE ECONOMIES

LOCATION: Mildred’s Lane; rural northeastern Pennsylvania - rural art complex overseen by artists J. Morgan Puett, Mark Dion.

CONTRIBUTION: sense-based table-top food experiments & field walks.

CHOREOGRAPHED by: Rebecca Uchill, Gavin Kroeber.

2015
TWISTED

LOCATION: The Changing Room; Kurfurstenstrasse 13; Berlin, Germany.

MODE: indoor | outdoor art exhibition.TITLE: Homecoming 3.

CONTRIBUTIONS: public sound walk; map; poetry performance.

CURATORS: Cassandra Edlefsen Lasch, Annabelle von Girsewald.

2015
HEART AND SEOUL

LOCATION: Seoul, South Korea.

MODE: mobile public art exhibition.

TITLE: FROST Radio.

CONTRIBUTION: sound walk instructions.

CURATOR: Haeju Kim, Ari Benjamin Meyers.

2015
RADICAL IMAGINATION COMMUNITY

LOCATION: Sullivan Galleries, Chicago, IL.

MODE: Landscape art exhibition.

TITLE: Outside Design.

CURATOR: Jonathan Solomon.

2015
WATCH WORDS

LOCATION: Kunstverein Arnsberg, Germany.

MODE: Art exhibition (solo).

CONTRIBUTIONS: sense walks, videos, photography, sculptures, sound-environments.

CURATOR: Vlado Velkov.

2014
HALLWAY JAM

LOCATION: La Conservera Centro de Arte Contemporáneo; Ceutí, Spain.

MODE: exhibition video; co-author with Ed Keller.

CURATOR: Isabel Martínez Abascal.

2014
ART & SCIENCE & CITIES WALKSHOPS

LOCATION: Berlin, Germany.

PARTNER | FUNDER: Akademie der Wissenschaften, (Academy of Sciences), Berlin-Brandenburg Academy of Sciences and Humanities.

ROLE: Consult the Academy core project team, and direct 1-week of public walkshops with the top two high-school students from every public high-school across Germany, with the aim of encountering cities through art & science & the humanities.  

2014
QUASARS OF PROXIMITY AND LIKENESS

LOCATION: Berlin, Germany.

MODE: 3-day walkshop, design-build, department lecture.

COLLABORATOR: Weißensee Art Academy Berlin.

ARTISTIC DIRECTOR: Vlado Velkov.

2014
SEW THE SWEATER WHILE THE WOOL GROWS ON THE SHEEP | WALK-IN-PROGRESS

LOCATION: Vitamin Creative Space; Guangshou, China.

MODE: 2-month art exhibition; 1-day public walk.

CONTRIBUTION: exhibition installation1 ; co-choreographed public walk with wet intervention2.

CURATORS: Hu Fang, Institute of Spatial Experiments.

2014
A-B-A-B-A FROM HERE TO HEAR

LOCATION: Volksbuhne, Roter Salon (Peoples Theater, Red room); Berlin, Germany.

MODE: poetry-jazz performance; public sound actions.

2014
MATE

LOCATION: Neue Nationalgalerie (New National Gallery); Berlin, Germany.

MODE: contemporary art festival.TITLE: Festival of Future Nows.

CONTRIBUTION: public school workshop with biologist and bird-caller Uwe Westphal.

CURATORS: Sven Beckstette, Natalie Keppler, Christina Werner.

2013
HEARING VOICES

LOCATION: Frascati Theater; Amsterdam, Netherlands.

MODE: Dance choreography sound shop & performance.

CONTRIBUTION: co choreographed 11-professional dancers in 1-week sound-movement lab, and theatrical performance.

ARTISTIC DIRECTOR: Nicole Beutler Projects.

2013
SHHHHH, IT’S TWISTED

LOCATION: Quite Que; Berlin, Germany.

MODE: solo poetry performance.

CURATED by: Michael Renkel, Nicolas Wiese.

2013
MANUELS FOR TWISTED FUTURE URBAN PLANNERS

LOCATION: Berlin, Germany & Basel, Switzerland.

MODE: Part 1: class talk as recruiting session (in Basel, CH) that is transcribed into publication. Part 2: 3-day sense-based walking school in Berlin, Germany.

COLLABORATOR: Hochschule für Gestaltung und Kunst, FHNW (Art Academy in Basel, CH).

ARTISTIC DIRECTOR: Melanie Franke.

2013
THE WURST ART PROJECT IN BERLIN | DON’T WORRY IT WON’T REALLY HURT THE TREES

LOCATION: Prinzessinnengarten (Princess Garden); Berlin.

MODE: 2-month outdoor landscape art exhibition.

TITLE: The Phylogenesis of Generosity – Berlin Triennale.  

CONTRIBUTIONS: public sausage-walk with a twist1; twisted arches as rope & tree intervention.

COLLABORATORS: FHNW (Art Academy in Basel) & Melanie Franke; landscape artist Lynn Peemoeller.

TRIENNALE CURATOR: Warren Neidich.

2013
TWISTED WALKS; TWISTED TALKS; A KENTUCKY SUTRA; SWING CINEMA

LOCATION: Project Space; Boxhanger Strasse 93/96; Berlin, Germany.

MODE: indoor | outdoor art exhibition.TITLE: Homecoming 1.

CONTRIBUTIONS: public sound & food walks1; public performance talk2; video3; landscape art sculpture indoor installation4.

CURATORS: Cassandra Edlefsen Lasch, Annabelle von Girsewald.

2012
2012 COFFEE CEREMONY; ISHE GET ‘UM, OK POETRY; WHITE CUBE

LOCATION: Jan Meda – Großes Feld (Big Field); Addis Ababa, Ethiopia; with Institute for Spatial Experiments.

MODE: 3-day art festival.

CONTRIBUTIONS: performance-sculpture; poetry performance; outdoor pavilion.

2012
SPACE POEM #5 - PHANTOM WORDS | ERUPTION

LOCATION: Bunker; Virchowstraße 6, 10249 Berlin, Germany.

MODE: art exhibition.

TITLE: Glasauge - Glass Eye.

CONTRIBUTIONS: public sound installation; light poetry performance.

2012
WE LIVE HERE (II)

LOCATION: Frascati Theater; Amsterdam University of the Arts, NL.

MODE: 3-day dance-choreography symposium.

CONTRIBUTIONS: public sense walk; twisted lecture-performance.

ARTISTIC DIRECTOR: Nicole Beutler Projects.

2011
ABOVE | BELOW; TWISTED TALK; TWISTED MODELS

LOCATION: Palais de Tokyo; Paris, France.

MODE: 2-month art exhibition.

TITLE: Reboot #4 - Nous voulons des maquettes (we want models).  

CONTRIBUTION: video; models; performance lecture.

CURATOR: Elie During.

2011
IDEAS ARE MOTION- The Poster as an Experiment in Travel, Part 1: Zagreb

LOCATION: Zagreb, Croatia.

MODE: art exhibition.

TITLE: Disappearing in public space.

CONTRIBUTION: 100 meter poster poem plastered in public  space.

CURATORS: Ivana Franke & the Institute for Spatial Experiments.

2011
IDEAS ARE MOTION - The Poster as an Experiment in Travel, Part 2: Japan

LOCATION: MOT, Museum of Contemporary Art Tokyo, Japan.

MODE: art exhibition collaboration with “Berlin 2000-2011: Playing amongst the Ruins”.

CONTRIBUTION: poster.

2011
IDEAS ARE MOTION - The Poster as an Experiment in Travel, Part 3: Reykjavik

LOCATION: Reykjavik Art Museum – Hafnarhus.

MODE: art exhibition & conference.

TITLE: Iceland Without Destination.

CONTRIBUTION: poster.

CURATOR by: MarkúsÞór Andrésson.

2010
TWISTED MODELS; UR SONATA

LOCATION: Uferhallen, ZNE; Berlin, Germany.

MODE: architecture & art exhibition.

TITLE: The Imaginarium.

CONTRIBUTION: models;  sound installation.

CURATORS: Liam Young, Lukas Feireiss, Luis Berríos Negrón.

2009
ARCHITECTURE SERVICE ANIMALS

LOCATION: Les Transculturelles des Abattoirs; Casablanca, Morocco.

MODE: cultural biennial.

TITLE: Abattoirs: From Meat to Culture.

CURATORS: Aziza Chaouni, Takako Tajima.

2009
ARCHITECTURE SERVICE ANIMALS

LOCATION: Extension Gallery & Archeworks (Dunn / Felsen); Chicago, IL.

MODE: sole architecture exhibition.

CURATOR: Paula Palombo.

FUNDER: Graham Foundation; SOM Chicago.

2009
VERTICAL FARM

LOCATION: Design Exchange; Toronto, Ontario.

MODE: architecture exhibition.

TITLE: Carrot City.

CONTRIBUTION: Vertical Farm model.

2009
VERTICAL FARM

LOCATION: Exit Art Gallery; NYC, NY.

MODE: architecture & urban planning exhibition.

CONTRIBUTION: Vertical Farm models.

2008
VERTICAL FARM

LOCATION: Museum of Science and Industry; Chicago, IL.

MODE: design exhibition.

TITLE: Fast Forward; Dickson Despommier.

CONTRIBUTION: Co-designer, Co-builder, Co-installer of interactive 22’ tall model with TJ McLeish. Model exhibited for 10-years.

BUDGET: ~$125,000.

2007
FIGURES AND FILMS

LOCATION: Serpentine Gallery Pavilion, Kensington Gardens; London, UK.

MODE: Experiment Architecture Marathon.

CONTRIBUTION: performance lecture.

ARTISTIC DIRECCTOR: Hans Ulrich Obrist, Olafur Eliasson.